Exercise Is Technique
Exhibition: “It’s no time to regret the roses when the woods burn”
march - april, 2024
OP ENHEIM, Wrocław, Poland
Curator: Kama Wróbel
Text: Kama Wróbel
Photo: Alicja Kielan
![](https://freight.cargo.site/t/original/i/85898a99e422870566122267c6cff68accf3f81b3a1a6090eca4c9b26e7f4a61/Ala_Savashevich_Exercise_Is_Technique_2024_oakumlinen_steel_2.jpg)
![](https://freight.cargo.site/t/original/i/c89eaa52dcbd005a9df75563d0f445d76fa026aa4ad6e65ccb2f8ea6651b7360/Ala_Savashevich_Exercise_Is_Technique_2024_oakumlinen_steel_1.jpg)
"When I'm working with chainmail, I often think that this material requires patience and discipline, things that girls are taught in primary school. Linen, on the other hand, is a raw, soft, flexible material that is easy to manoeuvre, change, shape, arrange. It is a material that is the starting point for working on matter, fabric."
- Ala Savashevich
![](https://freight.cargo.site/t/original/i/be781ef51d7a965b7bbb2a9c70f7c6a9029423e61c99702d0f6cf59e029b028a/Ala_Savashevich_Exercise_Is_Technique_2024_oakumlinen_steel_3.jpg)
Ala Savashevich, an artist of Belarusian origin who has spent years working on the theme of collective memory and identity formation in societies with a history of authoritarianism and patriarchy, explores similar issues in her latest installation. On a formal level, the artist refers to the exhibition Arm and Protect, curated by Joanna Sokołowska, in which a prominent role was played by a chainmail. This time, the object is discreetly among bundles of carefully combed raw linen, speaking to us from beneath the multiplied images of model students. It becomes a core, a backbone, shaped by the system over the years, which imperceptibly formats unsuspecting young minds by turning itself into an integral part of their mentality. Our mentality.
![](https://freight.cargo.site/t/original/i/fbe0bd3adfff3b1f443683dfda3a5a80b3dacd8e5f0cb36e7929c8d14284ae5f/Ala_Savashevich_Exercise_Is_Technique_2024_oakumlinen_steel_4.jpg)